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One Arm Bandit Poker Machine

 
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I read some good news recently – the number of poker machines in NSW pubs has reduced by 2675 in the past two years. More pubs are giving pokies the flick.

I’m interested in this for a couple of reasons: The Powerhouse holds what is probably the only collection of poker machines in a major Australian museum. And we hold a huge collection of photos, architectural drawings and other artefacts relating to pubs. Perhaps more than that I’m fond of pubs, less so of pokies.


I’ve acquired several poker machines for the Museum despite an awareness of the social damage they cause – pokie players lose most of the money lost in gambling and are much more likely to become problem gamblers than players of other types of gambling.

I wondered about this during the recent demonisation of the high-profile bookmaker Tom Waterhouse. Strangely, the reluctance of Australian governments of all political stripes to take on the pub and club industries about gambling has not produced similar outrage. I guess pokies aren’t on tv, hence out of mind most of the time.

It’s part of a Museum’s role to acquire things that are socially contentious but culturally and historically important; for example the Powerhouse has a large (but rarely seen) collection of firearms and other weapons. In addition the design and production of poker machines is a major Australian industry, although this is not widely viewed as a source of national pride.

As well being the leading Australian manufacturer, Sydney’s Aristocrat Technologies sells machines in the USA, England, South Africa and 55 other countries. Aristocrat’s success is based in part on several inovations in design, notably the marriage of pokies to video games to add secondary games to the basic spin of the wheels. For example, the ability to play multiple lines, which allow players to choose the number and configuration of symbols to be gambled adds an interactive element to the machine. Aristocrat’s best-known and most successful machine is Queen of the Nile, first manufactured in 1998 and still a gambler’s favourite. Although the Game Masters exhibition currently at the Powerhouse doesn’t mention it, many of Australia’s leading game designers now work for pokie manufacturers including Aristocrat and IGT.

Aristocrat was founded about 1952, when Len Ainsworth began repairing and making poker machines at his family’s dental supplies factory. At this time the playing of poker machines was illegal in NSW, but the law was so widely flouted that a poker machine manufacturing industry already existed in Sydney. The Powerhouse collection includes a small Shelspeshel machine made in Sydney during the 1940s by Charles Shelley Pty Ltd, perhaps the first Australian company to patent poker machine designs.

In 1941 a police census found hundreds of illegal gaming machines in use in Sydney clubs; no doubt many of them were Shelspeshels. Poker machines were tolerated to such an extent that at least four manufacturers were active in Sydney before 1956, when clubs were legally allowed to offer poker machines. The most successful of these was Nutt & Muddle, maker of Jubilee pokies, which by 1956 boasted a three-storey factory and casting foundry at Barcom Avenue, Rushcutters Bay.

At this time locally made pokies were copies of US machines, usually those produced by the Mills Novelty Company of Chicago. Mills took advantage of the 1920s boom in illegal gambling which accompanied Prohibition, while in 1931 the state of Nevada legalized pokies for its new casino industry. The Mills machines produced for the Las Vegas casinos featured striking case designs including the War Eagle, the World’s Fair and the Skyscraper.

The technology and decorative focus established by the Mills company in 1931 remained the foundation of poker machine design until the 1960s, when electro-mechanical machines were introduced. By this time Jubilee and Aristocrat were designing their own machines and by the 1970s were exporting to the USA.

Even at this time close relationships existed between gambling and official corruption. The US Bally poker machine company became notorious during the 1970s for using intimidation and bribery to sell its pokies to NSW clubs. The 2002 feature film Dirty Deeds is based on this episode. Bally’s Australian representative was Jack Rooklyn, most widely known as a racing yachtsmen. However Rooklyn was also one of the leading accomplices of the the corrupt Queensland police commissioner Terry Lewis and others and eventually fell from public grace together with the beneficiaries of his largesse.

The Powerhouse holds a Bally poker machine once owned by Jack Rooklyn; it was a centrepiece of the games room at his Bellevue Hill home and is decorated with images of Ballyhoo, his winning sloop in the 1976 Sydney-Hobart.

Poker machines were legalised in NSW pubs in 1997. The rationale for this controversial decision was to create a new income stream for the struggling hotel industry. Pokies in pubs certainly did that, to such an extent that poker machine entitlements became tradeable commodities pricing many country pubs out of the market and forcing their closure.

In other ways pokies in pubs have been a bad result, creating a new class of problem gamblers and avoiding the need for hoteliers to focus on their essential role – providing an agreeable environment for socializing, drinking and eating. So its great to see the pendulum swinging away from pokies towards pubs’ core business.

Charles Pickett, curator

A vintage arcade 'Select Em' Gaming machine C. 1940, American, by New century, with original keys and fittings, mahogany-cased and wall hanging, height 46 cm, width 26 cm, depth 16.5 cm

A vintage Mills Novelty Co. 25 cent slot machine, made in Chicago, USA

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A 1930s vintage coin operated arcadeAmusement machine, original painted board and case (needs restoration), used ping-pong balls with blower attachment. Height 185 cm, width 60 cm.

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An arcade golf machine 'Play Golf' by Chester Pollard C. 1930, English make, threepenny bit coin operated. Oak case with glass front and painted cast iron fairway (4 holes). Height 170 cm, width 11 cm.

An original arcade Mutoscope 'What the Butler Saw' C. 1910, SN3087 penny in the slot girlie photo reel. Reproduction iron stand. Height to top of stand 143 cm.

A 'Theatre of Mystery' working model, possibly from an English pier arcade C. 1935, coin operated, penny in the slot. Height 91 cm x 1 cm.

A vintage English stereoscope arcade machine C. 1920s, battery light with coin operated operation approximately 20 twin stereo cards. Original lenses and glass door. Needs restoration, shade deficient.

A Victorian 'Mills Perfect Muscle Developer' arcade/fairground machine, cast iron and nickle plated components with wooden frame 'Test your Strength' dial, penny in the slot. Height 1,70 cm

A 1970s vintage Kasco 'Gun Smoke' arcade machine, painted cowboy cabinet, coin operated with rifle on pivoting pedestal, with receipts, instruction manual and parts list with circuit diagrams. Dimensions 175 cm x 20 cm x 0 cm.

An Allied 'Sea Hunt' arcade machine 1972, twenty cent coin operated ball in play. Plywood and stainless steel angle iron legs. Height 183 cm, width 70 cm.

A vintage arcade machine 'What is your lucky number', one penny coin operated, painted blue, wooden base (glass needs replacing). Height 155 cm.

A 'Try Your Skill' penny in the slot arcade machine 1920s-30s. Three brass tracks with instructions on the front glass. Dimensions 67 cm x 8 cm

A vintage arcade Flip Ball Domino machine C. 1920-30, coin operated with brass fittings, knobs and levers. Dimensions 72 cm x 8 cm

An American 1920s bell vintage cast metal fruit machine, one-armed-Bandit' three reels no. 238768, raised flower and leaf motif, original painted details. Height 62 cm.

An American 1920s vintage cast metal bell fruit machine, one-armed bandit, three reels with stylised eagle pattern motif, original painting. Height 66 cm

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A large rare American 1940s Panoram short film movie player with 'Soundies' film reels, stylish mahogany veneer cabinet made by the Mills Company for use in bars and restaurants. Mainly showing 1.6 cm popular jazz and dance band films. I…

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An orange painted wooden case skill ball arcade machine, custom made with central revolving pin wheel. Height 75 cm, width 45 cm

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An old cast alloy frame and painted plaster HMV dog, the frame formerly part of an arcade machine. Dimensions 30 cm x 5 cm. HMV dog height 18 cm.

A 1920s vintage American 'little Duke' one armed bandit fruit machine 19A, cast metal with painted stylish decoration stamped number 20198 (needs attention). Height 63 cm

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An original American coin operated Mutascope arcade machine. Made by the international Mutascope Reel Co. New York . Hand wound flipping photo card reel. Patent 1896 on ironwork stand. 800 approx cards. Height 136 cm.

An arcade 'Lolly Crane' by international Mutoscope Reel Co. New York, the 'Electric Travelling Crane' cast metal fittings, pulleys, stainless steel rods and slides etc. Height 174 cm.

Vintage amusement park ride seat, potentially the 'Paddle-pop lion', approx 78 cm high, 103 cm long

Vintage Penny Slot machine 'The clock' oak case with white metal fittings

An early 20th century oak Penny slot arcade machine, height 75 cm, width 39 cm, depth 25 cm

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Two cast iron Arcade 1930s Racers, Green example repainted with replaced wheels. Both L. 18 cm

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sovereign changing machine, 52 cm high

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sovereign changing machine, 42 cm high

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Mutoscope No. M.N.41, international Mutoscope reel Co, Inc, New York ; red and green painted metal case, brass turning handle, coin-operated mechanism, base coin-collecting tray, the side door opening to reveal one Mutoscope reel subject No…

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Wurlitzer 1946-47 Bubbler Jukebox, model 1015- 78 RPM, the most successful Jukebox of all time. In the years 1946-1947 over 60,000 were sold. In near new and original working condition. Here is a chance to own the 'King of Jukeboxes'…

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Slot Machine - 10 cent Coin Operated Electrically Illuminated 4 Reel One armed bandit style in perfect working condition. 'Riviera' by Nutt, Muddle & Sons, Sydney. 74 x 40 cm

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